I'll start out with as strong a recommendation on The Nerdist Way, written by Chris Hardwick, as I can give: You should buy this book. Now I'm going to tell you why.

Hardwick, self-professed past-and-future nerd, has struggled with productivity issues in the past. So what would make him qualified to write a "self-help book" (my words, not his) worth reading? Because he went from having 0 jobs to having 15 in just a few years (not really an exaggeration). When you wonder, "how does this guy do so much in the same amount of hours that I have," it's usually hard to get a clear answer. Hardwick provides one.

But why this book? One, if you're reading Lifehacker, you're probably somewhat of a nerd. Because you enjoy tech, or like to optimize various parts of your life or look for tricks that use common household items creative ways, you can classify yourself under the umbrella term "nerd." And nerds (we're generalizing here) have the ability of laser-focusing on one particular subject and learning everything there is to learn about it.

You can harness this skill to get more stuff done.

Chris divides his book into three sections: One about harnessing your mind (addiction, anxiety and other mental issues), harnessing your body (getting better looking while naked) and your time (finances, work, projects). They all make sense, but you might not need all three sets of tips if you are already adequately taking care of yourself. I wasn't.

I'm going to pull out one very useful Lifehacker tip from his book—there are plenty more—that's very applicable to readers who are freelancers, and almost as applicable for people who want to start their own side projects or work for themselves. Hardwick says that you should look at employment these days like a mall.

Every mall has its anchor stores, like Sears, Nordstrom or JC Penney, which is large, takes up a large percentage of the space, and brings in a lot of cash and customers. You should think of your main job as a chain store; something a little bit soulless that you do just for the cash, and just to keep the place open. However, you need smaller stores, in your mall, because if your mall was made of just these stores, it would collapse. So you need boutique retro video game stores, a store that sells stuff from Japan, a jewelry store, an antiques shop and a tax prep guy renting out cheap office space. These are the metaphorical equivalent of selling stuff you sew on etsy, doing web design on the weekends or making extra bucks by playing with virtual currency. It's really up to you how you divide up your time; the point is to not let your main job dominate your life.

For freelancers, this means you should go ahead and take on that large project, even though it's not as creatively satisfying as you would like. Then use your free time to take on projects that expand your portfolio, doesn't make you much money, or is just a gamble that might pay off big in the long run. For people with more traditional jobs, this philosophy means that you should carve out time despite being drained from work in order to pursue something you'd rather be doing. This, of course, is easier said than done, and sometimes people have to ditch their Sears in order to let their Gamestops thrive.

Really—and I'm not just polishing his balls here—you should get this book, because he explains this topic (and many more) a lot better than I do. If you've got any part of your life that you're unsatisfied with, whether it's growing bigger muscles or finally getting a project started, this can help. I know that I'm going to follow Hardwick's rules and get more of MY ventures in line, rather than just talking about them to the annoyance of my friends.

The Nerdist Way | Amazon

Funny guy Chris Hardwick reviews gadgets, writes for Wired, does stand-up, acts in TV and movies, writes comedy songs, blogs, Twitters, and makes it all work. Here's how he does it.

Hardwick provides a pretty acerbic breakdown of his career and pursuits at his web home, Nerdist, which happens to be one of the most apt site names around. Hardwick moves effortlessly between extolling the virtues of handsets and hardware on G4, making a chorus out of dozens of Pi's decimal digits with Mike Phirman as Hard 'n Phirm, appearing in flicks like Terminator 3: Rise of the Machines and most of Rob Zombie's oeuvre, and writing on all manner of topics for Wired including, yes, productivity books. He's pretty active on Twitter, too, but he doesn't write about breakfast.

Oh, and if you're around the age of Lifehacker's editors, Hardwick totally owns your bored teenage subconscious. While attending UCLA to study philosophy, math, and science, he auditioned for, and landed, the hosting spot for Singled Out (and, before that, Trashed).

We'd heard Hardwick was a pretty productive fellow, so we asked, and he agreed, to chat over the phone recently. Here's the slightly edited transcript:

Lifehacker: Just a glance at your About page would tell someone that you've got a whole lot of jobs running at once. How'd you end up with that kind of career spread?

Chris Hardwick: It all stems back to a link on Lifehacker, actually, I must have seen years ago. It was basically a message that, if you're looking to freelance, just get as many gigs going as you can, and you can make it work. It was something so simple, but I'd never really thought that my work in the entertainment business could be like freelance work, but it is, it really can be. It's about getting as many side projects as possible, keeping as many balls in the air as you can, and what you're doing, basically, is diversifying your portfolio, with the same kinds of rewards. One falls through, and you still have another one to work on. I don't know how it happened, exactly, but I've been lucky enough to amass a full-time career out of a series of independent projects.

Lifehacker: How do you keep all those jobs, outlets, creative projects, and personal projects scheduled and organized?

Chris Hardwick: It depends on what's the most important or pressing thing at the moment. I've got a Wired deadline for May 13, for instance, so right now, I probably won't be working on it first thing, but something else.

... The thing I've discovered is, it's a cumulative thing, taking on new jobs and arranging them, and you really can see how it all fits together. G4 is once or twice a week, if I'm doing a voice for (Back at the) Barnyard, that's Monday afternoon, and if I've got writing to do, I can do that on the weekend. You start off thinking there isn't enough time, but I think energy is really the most limited resource. As busy as I used to be, when I started really looking at my time, I realized, "Oh, no, actually. I waste shitloads of time." Seriously, like, looking-up-facts-on-squirrels-wasted time. If you really want to start getting a better hold on your schedule, you have to know what your schedule is and where your energy comes, realistically.

If you'd told me seven years ago, "Here's seven jobs, go!" I would've melted. But you get more comfortable as you go along ... I'm actually working on a book about time management for freelancers. One of the ideas is that, when you look at your freelance career, it's really like a mall. And if you look at a mall, it's a self-contained system that has a flow and logic to it. You'll probably have one or two really bigger jobs, those are like your anchor stores.

Lifehacker: The Sears and Best Buys of your freelancing?

Chris Hardwick: Right, but you don't want to shop entirely at huge department stores. It's the smaller, specialty shops, the things you like to do, that edify your creative drive, and they vary in size, but you can find a sort nice balance to what you're exposed to. The other important thing, too, see if your jobs complement each other nicely, like a mall would want. Do you have two jobs you can keep working in the air, and more long-term jobs that only require a bit of coddling now and again? Those jobs, the creative work you get to put yourself into whenever you've got the drive, those are truly important. And then there are the jobs you're just doing for money, that have little value to the rest of your life.

Lifehacker: The Sbarros of the Freelance Mall.

Chris Hardwick: The Lady Foot Lockers, the Hot Topics, if you will.

Chris Hardwick's Mac desktop, proving he's no messy ironist.

What software apps, gadgets, and productivity techniques help you manage your life?

Chris Hardwick: You'll see on my iPhone front page (Note: pictured at left) that it's mainly Evernote, OmniFocus, and 1Password that keeps everything together. I don't use Evernote for to-do lists or anything like that, though—I use it for stand-up, for writing. Stand-up isn't something I just sit down and start writing—it's ideas you come up with in the shower, while you're driving, waiting in line. So I write it there, and then when I get back to my real computers, it's right there. OmniFocus you guys have covered, I'm sure, and 1Password just keeps me from having to remember every single web site login.

... For me, it's all about having an iPhone version to hook up to, because it helps me consolidate and keep things simple. I have two desktop computers, a laptop, and an iPhone, but I don't really need to be using all of them all the time.

Lifehacker: You're very connected in the realms of Twitter, blogging, and other web media. I'd imagine it would be easy to spend an entire day re-tweeting, replying, cruising through links, that sort of thing. How do you portion out your "Go and explore" time versus your "Sit down and work, damn it" time?

Chris Hardwick: I really don't have time "to Twitter," it's not something that should grab your day. That's a big misconception, actually, about the whole service. You don't go out of your way to tweet, you just post when you've got something. Hopefully, not while you're driving. It complements your life more than takes over your life ...

There's this time delay with blogging. You put something up, maybe someone eventually sees it, and it might get linked around if you're lucky. With Twitter, it's basically text messaging, and it moves really fast ... Twitter is a guy you can always elbow in the side and say, "Hey, look, a guy in a clown suit just threw up!" And I don't have 400-800 words to say about that, I just wanted to say that one thing. So, I got hooked real hard.

Lifehacker: So you see it as a net positive more than a time sink?

Chris Hardwick: I say this to death, but Twitter is really a hyper-distilled version of how the internet should work. Short bursts of relatively useful information. There might be people who fall in love with it temporarily because it's a flavor of the month, but ultimately, it's a simple, useful tool. Twitter is doing one thing and doing it really, really well ... Short of getting 200,000 phone numbers and texting people, I can't think of another tool that takes its place.

Lifehacker: What's the toughest barrier to keeping your work flow going? In other words, what causes you to fall off the GTD wagon? Web videos? Fieldrunners? The unbearably nice weather out there? (Sorry, live in upstate NY)

Chris Hardwick: The Web itself is the moat of failure I fall into a lot. On the spur of the moment I decide I need to see if there are pet-friendly exterminators in my area and somehow twenty minutes later I'm looking up tables shaped like feet. One of the most challenging hurdles we nerds can face is that our work module is the same thing as our play module. In the old days, I suspect it was a little easier to focus on your work because your Smith Corona typewriter didn't also have the power to Cornify your documents. I think the work-around for this is to be clear about what you need to do and force yourself to work in uninterrupted bursts. Then REWARD yourself by adding unicorns to everything.

Lifehacker: You do gadget reviews for G4. What are you looking for in a gadget? How do you get into that independent frame of mind, get beyond the Oh-Gee-Neat response?

Chris Hardwick: I think it's just like anything. When you see so many gadgets come through, you end up like a movie reviewer. You stop looking at them all as shiny moving pictures, and start looking for the Matrix code behind them. When you're talking about phones, there's only so much that a smart phone will really do well. If you have a handset, I'm not necessarily going to review the OS, like it's the iPhone or Android. We sort of have a 3-point inspection method that determines if the gadget does what it's supposed to do. Using some sort of an unspoken Venn diagram, we take the shadiest part of that and that will end up being the review. It's actually more thought-out than that sounded (laughs). As far as the Oh-Gee factor, it's easy to lose that when your phone drops five calls in one day here (in Los Angeles).

Lifehacker: That's a valid point—so much of phone reviewing these days is about email or the apps or whatever, and the fact that you'll be making calls and holding it to your head every day is kind of one sentence.

Chris Hardwick: There are phone operating systems that are absolutely clunky and not worth it to browse or email or whatever on them. That doesn't mean everything has to get compared to the iPhone, though, as even some things on that phone are just aggravating.

Lifehacker: You've mentioned that, at least for a little while, you'd thought about being a professional bowler, like your dad. What else did you imagine you'd be doing for a living? I can't imagine everything you're doing now.

Chris Hardwick: I always knew I wanted to go into entertianment. I loved stand-up comedy. I had every Steve Martin record, and I mean that in the actual vinyl sense, folks. No downloads or that kind of thing ...

Stand-up, at the core of it, is still my favorite thing. Other jobs, that I enjoy doing, kind of help that along, though I'm lucky to have everything I do. You kind of know from an early age if you have that constant need for attention (laughs). Up to age 13, I'd thought, "Yeah, maybe I'll be a professional bowler," but really it was almost pre-determined.

Lifehacker: What's the most challenging of all the things you do? I have to assume stand-up. Every comedian who makes it big always says stand-up is their true love.

Chris Hardwick: Well, it's certainly the most tiring. I've got a flight to Indianapolis at 6:30 in the morning tomorrow, so I'll leave my house at 4:30, connect to Indianapolis, and then I'll have a couple hours to hang out before I do a show. The same thing happens when I'm playing with Hard & Phirm—we'll do a show in Florida, and after a day of flying, we'll get to the venue just in time for sound check, then go right into it. It's hugely time-consuming, but if you love it and want to do it, you just have to do it.

Oh, also, I have to mention Rob Corddry in this interview, because he mentioned me in his.

Lifehacker: It's funny how Lifehacker will become the world's number one repository of comedians obsessed with productivity tactics. We will truly corner that market.

Chris Hardwick: When you hang around a lot of comedians long enough, you realize there's a certain gene, in every comedian. It's why we get hyper-analytical about things, and it expresses itself differently. Sometimes it comes through in alcohol, drugs, sports car crashes, and hotel room trashing, but sometimes it's something like productivity and time management scheduling. I'd love to see someone do that study. Malcolm Gladwell should be writing that book, the mental traits that connect comedians.

Lifehacker: I'd guess his publisher wouldn't be very happy to see that proposal, given the shelf rank his last two books had on much broader topics.

Chris Hardwick: It wouldn't sell as many copies, true. But it'd be really fascinating, I'm pretty sure.